After more than 30 years trading in the CBD, a popular music store has downsized to a specialty string instrument business.
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The refreshed graphic identity for State Opera of South Australia and its multi-coloured program for 2019 is a tool for the organisation to leverage in their quest for new and more diverse audience members.
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Kintaro Sushi – at the corner of Leigh and Hindley Streets – is an aesthetic revelation, seemingly popping up overnight it revealed both a brand new place to eat delicious, delicious sushi and a design agency we had never encountered before.
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When you’re bringing a fresh new take to a much-maligned concept, your visual identity better be charming.
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The Adelaide Central Market, with the help of Crafty Design, is harking back to its earliest days in bringing back the Federal Hall signage to its Grote Street façade.
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One of the first projects of new institution MOD unpacks the idea of what it means to be human through the medium of an unnervingly realistic robot head.
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Expressing the many sensations of six months spent cycling along the South Australian coast line - from saddle sores to soaring beauty - seems like an impossible ask from a print publication, but Che Chorley and Voice design may well have done it.
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For his first ever craft spirits project, designer Carlo Jensen of Peculiar Familia determinedly set out to create an identity that didn’t look anything like the brand of a small Australian distillery.
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For its 2018 program, the Adelaide Symphony Orchestra has once more collaborated with designers who translate the deep sounds of the orchestra’s instruments into abstract visuals that spring from the page.
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To make a new entrant stand out in Adelaide’s highly competitive pizza scene, some serious graphic design is required.
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