The two film industry bodies will together award four $5,000 grants to filmmakers from underrepresented communities working in Australia’s film industry.
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Adelaide-based writer of 'Show Me Where It Hurts', Kylie Maslen, speaks frankly with CityMag about the physical and mental effects of living with an invisible illness.
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Tandanya National Aboriginal Cultural Institute has weathered a closure by pandemic and funding cuts already this year, but, in spite of the challenges, the organisation is excited to reopen next month.
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Owner of Adelaide’s oldest camera kiosk, Paul Bulley believes there’s a reason his shop is developing a kilometre of analogue film every month – young people are going anti-digital.
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South Australia will roll out the red carpet for 22 world premieres and 27 Australian premieres, spanning slick international feature films to grungy local documentaries, as part of this year’s Adelaide Film Festival.
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As workplace sexual harassment continues to make news, CityMag spoke with Equal Opportunity Commissioner Niki Vincent about how to identify workplace discrimination, including sexual harassment, and how the Equal Opportunity Commission can help.
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As part of ACE Open's 2020 South Australian Artist Survey, Indigenous artist Carly Tarkari Dodd has created a work that aims to dismantle damaging assumptions about Aboriginality.
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The North Terrace live music venue is readying the next generation of riggers, roadies and lyricists, with free music industry workshops led by some of the Adelaide's best talent.
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New York-raised Adelaide Fringe performer Rashaun Daniels, aka Basketball Man, chose to stay in Adelaide during the pandemic. While he's stuck out of work, he's building a community in his temporary home through his love of basketball.
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Ahead of the City of Adelaide naming a laneway in honour of South Australian reggae band No Fixed Address, CityMag spoke with guitarist Ricky Harrison about coming up as an Indigenous artist in Adelaide's 1980s music scene.
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