Winter is almost over, but our 40 Under 40 winter print edition is still out on streets. Learn more about Emmaline Zanelli and Kurt Bosecke's burnt pizza cover concept portraying the underside of success.
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Angela Betzien’s Chalkface, premiered by State Theatre SA, is a zany portrait of an Australian public primary school. It holds up a cracked and grimly funny mirror to the end-result of years of state neglect and disrespect for teachers and their profession.
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From a high-kicking action star and neo-noir theatre to alternative K-pop and a touch of magic, this year’s OzAsia Festival will celebrate diverse cultures and also shine a light on darker elements of Australia’s history.
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Three talented local artists take inspiration from a collection of historic European prints for a mixed-media exhibition that offers insight into the role of art in making sense of crises – from the renaissance to contemporary times.
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Internationally acclaimed filmmaker and artist Allison Chhorn has opened her landmark installation Skin Shade Night Day at ACE, inviting audiences to be immersed in an evocative and sensory melding of past and present.
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The 2022 Adelaide Film Festival will open this October with two world premieres: a doco about pub rock band The Angels, and 'Marungka Tjalatjunu', which its producer calls a “film for our time”.
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Coming out of the making of her debut EP 'Nilotic', Elsy Wameyo is an artist reborn, having found a new sound and renewed purpose while creating, for the first time, in solitude.
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Why is it so hard to get women and non-males on festival lineups in 2022? Angela Skujins opines about the state government-funded supercar race that, so far, only has two women on the bill.
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We've rounded up Adelaide's best new music for July, including Workhorse, Kurralta Park Grocery Club, House in the Tall Grass and Big Town.
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From a small room at the back of the new Good Bank Gallery in McLaren Vale, Brad Darkson works on projects that often explore the intersection of colonisation and Country in South Australia.
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