The annual Texas-based creative industries festival is leaving the northern hemisphere for the first time in it's 35-year history for a Sydney edition. Adelaide has been sisters with Austin, the festival's home city, for 39 years, so what happened?
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In this strange elliptical cycle of a show, the surface of reality is consistently bent and re-shaped to reveal shadowy fundamental truths.
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A new sculpture by Sundari Carmody was unveiled at Lot Fourteen this week, through which the early-career artist explores the ways humanity's search for knowledge sometimes leads to a deeper sense of unknowing.
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Allison Chhorn immerses viewers in the daily rituals of her Cambodian-Australian family with an atmospheric sound and image installation embodying themes of trauma, migration, displacement and cultural heritage.
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Melbourne theatremakers THE RABBLE follow up their hugely popular 2018 season of 'JOAN' at Vitalstatistix with a new work delving into the dangerous layers of meaning floating in the substrata of the word ‘yes’.
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For CityMag editor Johnny von Einem, making a magazine is a relentless pursuit of failure.
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In this week’s episode of Notes on Adelaide, the podcast ventures into Adelaide’s 'Emo Park' with CityMag's Angela Skujins to discover who goes there, why and how they experience our city.
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Alongside the impressive stories of young South Australians succeeding, our latest print edition explores the good and bad that comes from failure.
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The million-dollar Hindley Street Music Hall is currently “a massive hole in the ground”, but co-owner Craig Lock says in a couple of months it'll be "a world-class music venue.”
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While experiencing three new exhibitions on show now at FELTspace, writer Iona Mackenzie found echoes of ephemeral moments past, repeating in the real world.
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