The ‘Godfather of Australian Techno’ has recently overcome a fear of flying, but despite being an internationally renowned deejay – due to play WOMADelaide next month – he still hesitates about performing in his hometown.
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When the mood calls for a smoke-hazed backroom jazz jam (sans-smoke), Adam Page knows where to go.
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Samira Elagoz's 'Cock Cock... Who's There?' is a personal exploration of gender relations and sexual violence. The artist spoke with CityMag about the process of creating the show and the many reactions it elicits from audiences.
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The ancient truths that flow through Gurrumul Yunupiŋu’s final album Djarimirri are revealed in Buŋgul – a transcendent, multi-disciplinary stage work devised in collaboration with the musician’s family.
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By eschewing aesthetic realism in favour of emotional resonance for his immersive project Eight, Michel van der Aa may be among the first in the world to find an effective artistic language within virtual reality.
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In the lead up to festival season, CityMag scoped the streets for day-to-night outfit inspo. In Adelaide, it's all about those staples.
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Inhabiting the headspace of 13-year-old dancers is just one of the challenges the cast of Dance Nation broached in this “crushingly funny satire” turning a feminist lens on ambition, adolescence, desire and friendship.
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Amendments to abortion law reform, informed by more than 3,000 public submissions, will be presented to the State Government this parliamentary session.
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The (also) former Tasting Australia creative director Ross Ganf wants you to help him develop a program of cultural collaborations at the University of Adelaide for 2021.
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Don’t be careful – be brave. Alexis Buxton-Collins’ philosophy for how to approach Fringe is utterly intoxicating... just watch out for the eggs.
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