CityMag spoke with the organisers of three Adelaide boutique festivals – Spin Off, Field Good and sidebyside – about whether the Federal Government's million-dollar arts package will save them, and what their plans are for a post-COVID world.
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Writers SA director Jessica Alice shares her picks of the organisation's new range of online workshops and events, and explains how the local writing community can bounce back from COVID-19 if the arts industry is properly supported.
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‘Theatre is my church,’ says celebrated local playwright and actor Elena Carapetis – and you’re invited to join the congregation this week as two of her powerful plays are shared online.
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Despite growing up beachside in Moana, alt-indie four-piece Ethanol Blend are more than salt spray and surf rock.
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On the eve of the coronavirus shutdown, CityMag spent a night riding along with the Encounter Youth Green Team. As our nightlife slowly reemerges, we look back on our last pre-corona night out in the city with nostalgia and hope for the future.
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When Natasha Wanganeen isn’t organising Black Lives Matter protests, she’s an award-winning actor. She speaks to CityMag about starring in a new sci-fi series set in 2057 and establishing the state’s first Indigenous-owned production company.
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The Adelaide pop trio’s latest single is an energetic synth-laden love letter to tidying up.
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Set in Adelaide 2003, short film ‘Hard Rubbish’, by Adelaide-raised director Stephen Packer, shows there is no softer armour than young bravado.
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The Adelaide Fringe is offering $5,000 for those within the performing arts industry who want to develop and show new work as part of next year’s Fringe.
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The curtain has finally been lifted on Adelaide’s iconic Her Majesty’s Theatre after a $66 million rebuild that blends elements of the original 1913 design with state-of-the-art facilities and increased capacity of 1467 seats over three levels.
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