When Tarnanthi takes over the city, the city looks better for it. View images from the Opening Night of Pungungi Marrgu (old and new) by Regina Pilawuk Wilson and Mother and Child by Gunybi Ganambarr.
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Two years since 808 Threads launched, the dress hire business is still one of only a handful of Australian companies designed for curvy women – and co-founder Alexia Frangos is not impressed.
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In a room full of industry heads and fans alike, SA’s musicians and music industry movers and shakers will find out next month who, from this shortlist, will take out the local industry's top accolades.
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The OzAsia film festival is the only Australian screen program devoted to Asian cinema that isn't concentrated on a specific nation. Mercury Cinema director – Gail Kovatseff shares her favourites from the program.
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With stunning views to the ocean and a new architectural reality, the Flinders Tavern is ushering in a new live music era for the university, starting with gigs every Thursday in October.
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Contemporary Aboriginal artist Elizabeth Close has curated Tarnanthi's youth-focussed Neo Deadly Halloween event to explore the concept of transformation while embracing the perspective-shifting power of the artwork within the Aboriginal and Torres Strait Islander exhibition.
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With more than 10 bands playing across three stages, a Battle of the Bar saga and food options galore, the East End block is set to transform into a tasty intersection of your favourite interests this Saturday.
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In the lead up to OzAsia 2019, we spoke with Adelaide-based filmmaker Allison Chhorn about what drove her to create her feature film The Plastic House.
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Ahead of the Tarnanthi Art Fair, we spoke with artist Karen Napaljarri Barnes, Tarnanthi's artistic director Nici Cumpston, and three Tarnanthi art fair buyers about what to consider when purchasing Aboriginal art.
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A Frankenstein experience melding together wine, theatre, visual art and exploration, Thunderbus Road is doing test runs already and should be ready for bookings later this month.
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