Five Four Entertainment's 20,000-max capacity festival will feature dancing and international acts, and absolutely no cordoned-off COVID-safe pods. “Our plan is to deliver a normal music festival as best we can,” organiser Craig Lock says.
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In Australian Dance Theatre’s Adelaide Festival work Supernature, outgoing artistic director Garry Stewart continues his quest to understand the inextricable place of human society within nature.
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With art installation The Plastic Bag Store, Robin Frohardt hopes to make the fight against the destructive reality of our plastic culture a little less depressing.
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Restless Dance Theatre has spent decades changing attitudes and diversifying Australia’s artistic landscape, but a significant funding cut means support is needed more than ever before.
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The 27-year-old musician only has two albums released under his own name, but his guitar can be heard on some of Adelaide’s most interesting albums and lineups.
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Samira Elagoz's 'Cock Cock... Who's There?' is a personal exploration of gender relations and sexual violence. The artist spoke with CityMag about the process of creating the show and the many reactions it elicits from audiences.
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The ancient truths that flow through Gurrumul Yunupiŋu’s final album Djarimirri are revealed in Buŋgul – a transcendent, multi-disciplinary stage work devised in collaboration with the musician’s family.
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By eschewing aesthetic realism in favour of emotional resonance for his immersive project Eight, Michel van der Aa may be among the first in the world to find an effective artistic language within virtual reality.
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Inhabiting the headspace of 13-year-old dancers is just one of the challenges the cast of Dance Nation broached in this “crushingly funny satire” turning a feminist lens on ambition, adolescence, desire and friendship.
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