Liverpool-born bibliophile John Scott, owner of New Morning Books, has sold thousands of tomes over his three decades running second-hand bookshops. He’s encountered “the variety of humanity” from behind the counter, and will never turn away a worthwhile book.
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Filmmaker and artist Liam Somerville used Flinders University's virtual reality and motion capture space The Void to create a digital work that brings all humanity’s chickens home to roost in one cathartic hit.
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In 'Home Thoughts', Adelaide-based theatremaker James Watson explores his experience of the tension between staying put in South Australia and taking a leap of faith interstate.
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In her 2022 Fringe show, 'All The Things I Couldn’t Say', theatremaker Katherine Sortini dives into our collective regrets, sourcing stories from the public – tales of conversations abandoned and messages left unsent.
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In its 2022 Artistic Program, ACE Open is helping Adelaide understand, expand and transform our world through exciting new and emerging voices in contemporary Australian art.
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In ‘Visible Invisible’, photographer and The Mill Sponsored Studio resident Hussain Alismail captures the experience of some of our city’s disabled artists to see how the world’s fourth most liveable city is not yet fully habitable for everyone.
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As the Adelaide Park Lands approaches its 200th birthday, CityMag spoke with a futurist, an ecologist, a sustainability expert and an Indigenous elder about whether our green belt will be fit for purpose in 2037.
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Acclaimed Narungga poet and academic Dr Natalie Harkin is challenging South Australia’s colonial history in a Vitalstatistix exhibition set to premiere this month.
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Guided by a life philosophy of finding meaning and connection in seemingly disparate projects, architect Dino Vrynios is changing the conversation in Adelaide.
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