2024 marks Mercury Cinema's half-century, so CityMag asked how they're celebrating the past and looking to the future.
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Bon Iver, Florence + The Machine and the spectacular but controversial feather-fuelled aerial show Place des Anges will be among the headliners at next year’s WOMADelaide festival in Botanic Park.
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Between pink-satin corsets, ruffed-up horses and a tiny chihuahua, 2022 is Chelsea Farquhar’s year of living playfully.
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Angela Betzien’s Chalkface, premiered by State Theatre SA, is a zany portrait of an Australian public primary school. It holds up a cracked and grimly funny mirror to the end-result of years of state neglect and disrespect for teachers and their profession.
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From a high-kicking action star and neo-noir theatre to alternative K-pop and a touch of magic, this year’s OzAsia Festival will celebrate diverse cultures and also shine a light on darker elements of Australia’s history.
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Three talented local artists take inspiration from a collection of historic European prints for a mixed-media exhibition that offers insight into the role of art in making sense of crises – from the renaissance to contemporary times.
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From a small room at the back of the new Good Bank Gallery in McLaren Vale, Brad Darkson works on projects that often explore the intersection of colonisation and Country in South Australia.
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As this year’s Illuminate Adelaide headliner, Istanbul-based Ouchhh Studio’s digital light show is a mesmerising and immersive spectacle, but it’s best enjoyed without any expectation that its appropriation of Renaissance art will inspire profound insights into AI-art-historical interplays.
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The much-maligned and misunderstood dingo is the focus of an immersive new exhibition that celebrates its importance to First Nations communities in Australia and beyond through film, dance, animation, puppetry and visual art.
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The biennial Adelaide Film Festival will be held annually from October, kicking off with the world premiere of a film about homegrown Adelaide rock band The Angels.
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