
Making art as one
A solo exhibition at The Mill is giving voice to lesser heard stories.
MoreA solo exhibition at The Mill is giving voice to lesser heard stories.
MoreArtist Viray Thach’s first solo exhibition, ‘Resilience’, aims to create conversation about societal misunderstandings of the experience of sexual assault while elevating the voices of survivors.
MoreSustainability-minded designer Lisa Penney, who transforms plastic bottles and deadstock fabric into Hey Reflecto's face masks and high-vis cycling vests, saw a significant pandemic bump last year, generating half a million dollars in sales.
MoreFor The Mill resident and watercolour artist Eleanor Green, a childhood passion for sketching animals has morphed into a richly textured arts practice, and an adaptive small business which doesn't exacerbate her health condition.
MoreFor visual artist Evie Hassiotis, the most rewarding part of her practice is helping others “reveal their inner landscape.”
MoreRather than shrinking in the face of the pandemic, The Mill has come out stronger, with a new coworking space for creatives, bringing new skillsets and experience under the arts organisation’s expansive roof.
MoreParenthood can be an isolating experience, particularly for artists. To counter this, Tanya Voges curated 'Postcards from Motherhood' - an exhibition drawing on her network of mothers with an active art practice, in the accessible format of postcards.
MoreIn an age of constantly shifting priorities, artist Kirsty Martinsen’s ‘Our Lady: en feu’ brings attention back to earlier global catastrophes.
MoreWhether intended as a rite of passage, evidence of allegiance, or purely as art, tattoos have traditionally acted as a form of self-imposed exile from mainstream Western culture. From atop the tattooist's chair, Ben Brooker explores the meaning of marking yourself in the modern age.
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