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December 16, 2021
Commerce

‘The only reason why I’m still going’: Music venue owners grateful but critical of State Government support

While they’re stoked to have received a handout, some Adelaide live music venues owners are frustrated they're still in a position of needing subsidies to survive ongoing COVID-19 trading restrictions.

  • Words: Angela Skujins
  • Main image: Jack Fenby

Since 30 November 2021, inner-city live music venue and pub The Grace Emily has not poured a single pint or hosted a single band. It’s been closed due to an ongoing battle securing public liability insurance.

The venue was awarded a $100,000 State Government Music Development Office grant on Wednesday, meaning publican Symon Jarowyj can now pay for the premium public liability insurance necessary to keep the cult music mecca alive.

“My insurance is now going to be five times higher than normal; at least I’ve got that grant that can go towards that, which would be great,” he says.

“The only reason I’m still going,” Symon says, is because of state and local government grants awarded to him and the Waymouth Street institution over the last 18 months.

But he’s still worried about the future.

Under the state’s current COVID-19 trading restrictions, Symon says he can only sell 40-60 tickets for a live music gig. This is compared to the 130 tickets he would usually sell for a show outside pandemic times.

Taking into account this new level of public liability insurance, this is an “unsustainable” future, he says.

Symon is not the only venue operator with this anxiety.

Owner of Hindley Street alternative music venue and dive bar Enigma Bar, Eric Ott, tells CityMag he also successfully received a $156,790 MDO live music venue support grant. Despite this, Eric is still “stressed”.

Other grant recipients in the city include Hindley Street venue Jive, which copped $100,000; inner-west entertainment venue Thebarton Theatre, which received $300,000; and West End nightclubs Fat Controller ($300,000) and Electric Circus ($127,000).

North Terrace live music venue Lion Arts Factory and music events behemoth Five Four Entertainment received $300,000 each.

But co-owner Craig Lock says he’s still unsure about the venue and music company’s future.

In November, Lion Arts also received a $5000 City of Adelaide arts and culture grant to host a string of seated gigs called Rock’n’Chairs. Even with this cash, Craig he says he’d much rather be able to trade unimpeded.

“It’s not really what we want to be doing to be honest,” Craig tells CityMag of the seated shows.

Lion Arts Factory co-owner Craig Lock. This picture: Saige Prime

 

The City of Adelaide grant will be used to pay guarantees to local bands and musicians to “entice” them to perform to a seated crowd at the venue, a City of Adelaide grant document says.

Without the money, Craig says seated gigs aren’t workable or viable. This is because very few musicians want to perform to a seated crowd, and if they do, they expect the venue to front up cash if there are poor ticket sales.

This grant “absorbs the risk”, he says.

“This gives us a chance to start making them happen, rather than just waiting on the off chance that [an artist] wants to do one,” Craig says.

Local hospitality lobby group Hospo Owners Collective published an open letter on Tuesday, seen by CityMag, describing their “real concern” surrounding trading conditions.

The entity is questioning the state’s COVID-19 decision-making body, the Transition Committee.

The letter mentions the collective’s uncertainty about the moving goalposts surrounding vaccination targets, mentioning the relaxation in restrictions was once originally penned for when the state reached 80 per cent double-dose vaccination for ages 16 and up. This has since become 90 per cent total vaccination for 12-and-up.

The plan says only fully vaccinated people will be allowed to enjoy “high-risk activities”. Examples of such activities include visiting nightclubs and stand-up consumption of alcohol.

The roadmap has also received criticism from Music SA general manager Kim Roberts, who voiced concern to CityMag last month about the lack of clarity as to what activities would be allowed once targets are hit, particularly with regard to live music.

We’re not even able to have that future still, and that’s the most frustrating thing
—Craig Lock

Jive Stayin’ Alive. This picture: Jack Fenby

 

South Australian Police Commissioner Grant Stevens said earlier this week the committee will know by Friday what “90 per cent looks like”. He said the state is expected to reach the 90 per cent target between Christmas and New Year.

Despite this news, venue owners like Craig remain unconvinced life for them will return to normal. In the wake of changing news regarding how long a person is expected to quarantine if exposed to someone infected with COVID-19, they’re wary of the extended stints in quarantine.

“We’ve had to cancel a lot of things because there’s no guarantee that the show in February can have 300 people dancing simultaneously,” Craig says.

“We’re not even able to have that future still, and that’s the most frustrating thing.

“We know that something’s going to change, but they’re not telling us what. And that means that we’re just losing shows left, right and centre.”

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